Sandro, on the other hand, refuses to be happy with his results and approaches the subject time and again. A dizzyng array of lines, geometric shapes, light sources and colors seem to lurk in-between and gradually begin to permeate the standard bidimensionality of photographic reproduction, remodeling space and taking the architectural forms of La Défence and turning them into a wonderful labyrinth of incongruencies and dynamic textures where the viewer’s eye can become quickly entangled, as if ensnared in a fishing net.